Clemens Plattes would be over a century old if he were alive today. That his story only
now comes to light in At the FRONT is both sobering and profoundly timely. This late unveiling of one man’s experience during World War II reminds us that history often waits—until it no
longer can—to confront us again.
Gabriele Plattes reconstructs her father's path as a young German infantryman through years of intimate interviews and meticulous archival research. The book unfolds in two layers:
Clemens’ personal narrative—marked by confusion, endurance, and raw survival—is interwoven with the cold calculations of command-level strategy. The result is a stark contrast that lays
bare the machinery of war and the ease with which young lives are absorbed and spent within it.
This is not only a historical project, but a deeply personal one. Plattes, both daughter
and historian, carries the burden of memory, silence, and inherited responsibility—and the act of sharing it now becomes an unburdening, a long-held truth finally given form.
Today, the resonance of this story has deepened. With the return of war to the European continent, what once lay dormant in memory has reemerged as lived reality—raw, immediate, and
indiscriminate. A fevered atmosphere of redefinition has seized both public consciousness and political frameworks, unsettling the foundations of a peace once thought durable. Young
individuals, particularly in Ukraine and Russia, now face the same existential truth that once confronted Clemens: the imperative to endure within systems that regard them as expendable.
Germany’s recent commitment to a virtually unrestricted military budget is not an isolated decision, but part of a broader geopolitical recalibration—one that has upended longstanding
assumptions and interrupted the peaceful trajectories upon which many lives and futures were quietly built. For a nation long shaped by its postwar ethos of restraint, this abrupt shift
casts a complex and disquieting shadow over personal aspirations, generational outlooks, and the identity of a society still reckoning with its past.
At the FRONT does not seek to glorify, nor to condemn. It insists that we witness. And its appearance now feels less like a publication and more like a reckoning.